Moonscape Reverie

Or the lost uselessness of art


For the author, art exists primarily to recreate feelings, only common aspect between all humans. After all we are sensitive beings. What Barthes called the punctum, an inexplicable something that moves us in a piece of art, is harder to find nowadays. We are so bombarded with images that we have grown numb. As a reaction to this, the photography world has moved towards a content-focused tendency.
The author proposes to go back to the essence of art as a link between sensitive beings. Aesthetics are to be a priority, suggestive and evocative, turning into mysterious affects in us.

Moonscape Reverie aims to visually recreate the experienced sensation of harmony when visiting Sintra, Portugal, a spellbinding city located on the ‘Moon Hill’.
The procedure used creates both an aesthetic translation of the sensorial experience and a half-suggested narrative, the 10 pieces working together to construct an odd, romantic, magical yet almost eerie family album.

In Moonscape Reverie like in her general practice, Camille Aboudaram used a postmodern approach to photography: she shot analog and used digital technology for later interventions, modernising techniques of the past, and blending photography with illustration (colouring) and graphic design (context built for the photographs). 
Indeed, she believes that in 2019, photography isn’t only about photographs anymore.
The photographs were used to create a wider space and a new interpretation, exploiting both techniques and aesthetics of the past and present to create something contemporary.